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맞춤형 인체 조각 팩토이

인체 조형물을 통해 아이디어를 현실로 구현하는 SculpturesHome에 오신 것을 환영합니다.

수천 년 동안 저명한 예술 형식인 조각은 인간의 형태를 비유적이고 사실적으로 표현함으로써 현실을 반영하고 매혹시킵니다. 전신상부터 흉상까지 다양한 고전 조각은 종종 건축적 배경이나 신화 및 종교적 내러티브에서 그 의미를 얻습니다. 선사시대부터 회화와 조각에서 인체를 묘사하는 것은 몸, 머리, 손, 사냥 행위 등 인간 경험의 충만함을 포착하거나 단순히 시간의 흐름에 대한 증거로서 심오한 표현 수단으로 사용되어 왔습니다.

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What is the difference between Eastern and Western figure sculpture?

In the vast river of history, East and West art each put colorful, due to cultural differences, regional differences, and regime differences in the diversity of factors catalyzed the formation of a variety of unique characteristics of the art style and expression, especially in the art of sculpture, the difference is more intense. Through the eyes of time over the years, whether oriental art or Western art, under the precipitation of history, always looks particularly fascinating.

고대 서양 조각에 대해 의심할 여지가 없는 한 가지는 그 진위 여부입니다. 자연을 모방하고 재현하기 위해 노력했으며 사실주의가 매우 강했습니다. 앞서 언급했듯이 서양 조각은 처음에는 왕족과 종교를 위해 만들어졌습니다. 또한 서양은 신화적 인물을 조각하는 것을 좋아하며 신을 의인화합니다. 이것은 의심할 여지없이 서양 조각의 사실적인 길을 더 넓고 넓게 만들었습니다.

In the spatial performance, western human sculpture is strictly spatial art, with the help of changes in light and shadow to express the form of spatial reality. Paying great attention to all kinds of details, perspective, light and dark, and coordination, it is no exaggeration to say that it is like copying down the characters in one’s mind or in front of one’s eyes. We can naturally appreciate the emotions of the sculptures as they emerge from the extremely realistic surfaces. We can appreciate the elegance, sensuality, modesty, etc. of the sculptures.

Although there are fewer purely sculptural works of art in the Orient, the high degree of realism in sculpture has resulted in works of art that are universally recognized and respected around the world. Especially in Chinese sculpture, traditional Chinese sculpture continues the poetic, romantic, hazy beauty, focusing on the expression of “God”, the requirements of the form are more ambiguous, pay more attention to the details. Oriental sculpture often does not appear as an isolated entity but tries to use “virtual”, “virtual”, etc., to integrate into the natural landscape. The expression of “emptiness” in sculpture extends the realm beyond the physical and is more full of the ethereal spirit of imagination. For example, the system of “using the mountain as a mausoleum” established in the mausoleums of China’s Tang Dynasty empire skillfully combines the mausoleums, the sculptures in front of the mausoleums, and the natural undulations of the mountains.